Read left to right, then down, in the order of passages in the linked English PDF. Titles describe each passage; the related event links it to the chronology. A “revisit” adds context or retells an event—not another occurrence. Entries within one passage share a location; their display order is editorial. Colors identify the main thread, not certainty. Sources & limitations
Pedro PáramoSusana San JuanJuan PreciadoComala
25 of 73 events · 59 appearances · editorial selection
01
PDF pages 1–16
Passages in book order. Revisits add context or retell an event; they are not additional occurrences.
Calendar dates remain deliberately open. Volek identifies conflicting seasonal and comet references around Miguel’s death. The placement of that episode before Susana’s return follows his reconstruction; it is not an exact dated claim. “Reconstructed placement” describes the ordering, not doubt that an event occurs.
The All events view covers the significant material identified in a passage-by-passage ledger across all 64 PDF pages. Key events is an editorial selection from that same data. Repeated appearances are not separate occurrences, and memories without a secure position remain in “Uncertain placement.”
Luis Leal’s “La estructura de Pedro Páramo” (1964), pp. 287–294 provides a structural cross-check of memories, narrated scenes, and the voices of the dead. Neither critic substitutes for the primary passage. Reports, dreams, plans, and disagreements remain attributed in the details.
Phase placement is approximate. Cards wrap for readability; their height, column, and distance carry no meaning about time. Only the cited before/after relationships assert relative order. Comala’s decline is an interval, not an event that ends when the next card begins.